AirWaves  /  Radio Show Prep Software
Radio Show Prep

Radio Show Prep Software

Every prep service in radio sells the same artifact: a sheet of stories, emailed or posted to a dashboard, that a jock reads and retypes. AirWaves Show Prep is different because it owns your playout log — so prep arrives already assigned to a break, already fitted to the ramp of the song it sits over, and already in your station’s voice.

The whole rack builds itself overnight — headlines, entertainment, sports, weird news, trivia, birthdays, this-day-in-history and two dozen more categories — and lands as an hour-by-hour Show Sheet your jock prints at 5:40am, an email digest the night before, and finished break material the AI DJ can voice if nobody shows up. Every capability on this page also works alongside the automation system you already own.

Why every prep service looks the same

Open any radio show prep service and you get the same thing: a daily sheet of stories, sorted into categories, delivered by email or a dashboard. It is generic by construction — the service cannot know your market, your log or your jock, so it ships the same material to every subscriber and leaves the fitting to a human with a highlighter at five in the morning.

The retyping is the tell. A jock reads the sheet, picks what works, rewrites it into their own voice, guesses how long the next intro runs, and hopes the story has not already aired twice from another outlet. Every minute of that is work the prep service could not do, because it could not see the station.

AirWaves Show Prep sits inside the platform that already runs the station. It can see the music log and every song’s intro cue, the format clocks, the newsroom, the weather feed, the request queue and the on-duty AI DJ persona. So prep here does not arrive as raw material — it arrives already fitted.

Talk-ups fitted to the real song ramps

The signature of the module — and the item no prep service on the market can produce — is the ramp-fitted talk-up. AirWaves reads tomorrow’s music log, takes the intro cue point of each scheduled cart, computes the true ramp length in seconds, and writes the words a DJ speaks over that instrumental intro — sized to those exact seconds, finishing right where the vocal starts.

  • Real songs, real ramps — written against the log that will actually air, not a hypothetical playlist
  • Timed to the second — paced at natural speech rate so the post is hit, not trampled
  • In your format’s voice — a CHR station and a Country station get different words over the same length
  • Usable by anyone — a live jock reads it, a voice-tracker records it, or the AI DJ voices it automatically

Artist prep works the same way: background written for the records actually scheduled today, under a strict rule never to invent chart positions, sales figures, awards or personal details.

The rack builds itself overnight

Every night at the hour you choose, Show Prep runs its build and the rack is finished before anyone walks into the studio. Nine independent pipelines contribute, and each one reports separately — a bad feed morning never stops the rest of the rack from building.

Ingested stories

Headlines, entertainment, sports, music news, TV & film, weird news, good news and lifestyle from configurable RSS and Google News feeds — deduplicated so one story lands once, however many outlets carry it.

Evergreen, every day

Birthdays, this day in history, national days, trivia, questions of the day, phone topics, would-you-rathers, one-liners, bit starters and contest ideas — generated fresh daily, no subscription required.

Only-here material

Talk-ups from your log, artist prep for today’s records, weather hooks from your market’s live forecast, listener requests and your own newsroom stories — the categories an outside vendor cannot produce.

Items land with a priority from lead story to filler, a daypart, and a status a jock can work — keep, use, kill. Old material sweeps itself out automatically.

One story, seven forms

A story is not a read. The same item plays differently as a five-second tease into the break, a thirty-second piece in the news block, a phone-opener question, or a post on the station’s socials. Show Prep renders every story seven ways:

  • Tease — five seconds, sells the story before the spot break
  • 10-second and 30-second reads — tight and full versions of the same piece
  • Talk-up — ramp-length, for over the intro
  • Question — a phone-opener that fills a segment with callers
  • Take — a 15-second opinion angle in the station’s voice
  • Social post — under 280 characters, ready to paste

Each form keeps multiple rotating wordings, and the least-recently-used one is picked — so a story that repeats across dayparts, or a song that comes around again tomorrow, never sounds the same twice. Writing follows one of 13 format kits — CHR, Hot AC, AC, Country, Rock, Alternative, Classic Hits, Urban, Urban AC, Christian, News/Talk, Sports and Spanish — plus a free-text house style you set once.

Show Sheets — the 5:40am deliverable

The rack is the raw material; the Show Sheet is what the jock actually walks in to: a dated, hour-by-hour rundown for one show. Autofill lays out each hour in a click; the jock drags items into the order they want, and the sheet is ready.

  • Print view built for the studio — self-contained, clean, made for Ctrl+P at 5:40am
  • Night-before email digest — the whole day’s rack as one readable email, sent automatically after the overnight build; this is the entire product other prep services sell, included
  • Plain-text export for whatever workflow a show already runs
  • A public JSON feed your station website or app can consume — safe to publish
  • Voice-track integration — a jock recording tracks sees the prep ranked most relevant to the log item in front of them

If nobody shows up, the break still airs

Show Prep has two consumers, and they read the same rack. The first is the live jock, through the sheet. The second is the AI DJ — hand any sheet item to it with one click and it airs in that hour, voiced in the on-duty persona’s voice. The overnight that lost its host still gets the birthdays, the weather hook and the phone topic the jock would have read.

The human stays in charge of what the AI may touch. Every item carries an AI-allowed flag you can veto per item, per category or per whole day — so the AI DJ draws only from prep a person approved, and a story you killed can never air.

What to look for in show prep software

  • Does it know your log? If prep cannot see what is scheduled, it cannot write talk-ups, artist prep or anything fitted to your actual air. This is the line between a prep service and prep software.
  • Does it build itself? A rack that waits for someone to curate it at 4am is a to-do list, not a product.
  • One story or seven forms? A sheet of headlines still needs rewriting into teases, reads, questions and posts. That rewriting is the actual work.
  • Does repetition sound repeated? Rotating wordings matter anywhere a song or story comes around more than once.
  • Is the AI accountable? Generated content needs guardrails against invented facts and a human veto over what reaches the air.
  • What happens with no jock? If the answer is dead air or a bare segue, prep and playout are not really connected.
  • Does it need another subscription? Birthdays, history and trivia are public knowledge. A station should not pay a vendor to be told whose birthday it is.

AirWaves Show Prep answers all of these — because it is not a service bolted onto the station, it is the station’s own platform doing the prep.

No rip-and-replace

Show prep that works alongside any automation system

You do not have to run AirWaves playout to use AirWaves prep. The overnight rack, the seven-form renditions, the hour-by-hour Show Sheets, the printable view, the night-before email digest and the public JSON feed are all deliverables any jock can read and any station website can consume, whatever is driving the air chain — RCS, WideOrbit, Zetta, Simian, ENCO, Rivendell, StationPlaylist or NexGen. The deeper tricks — talk-ups fitted to the real song ramps and breaks voiced by the AI DJ — light up when AirWaves owns the log, because they are only possible when prep and playout share a database.

Your existing automation ←→ AirWaves Show Prep On air, unchanged

Radio show prep software, answered

Show prep is the material a radio host walks into the studio with: the stories, birthdays, trivia, phone topics, teases and talk-ups that fill the space between songs. Show prep software gathers and organises that material. Traditional prep services deliver a generic daily sheet by email; AirWaves Show Prep instead builds a station-specific rack automatically every night — from news feeds, evergreen content, your own newsroom, your listener requests and your actual music log — and organises it into hour-by-hour show sheets.

A talk-up is what a DJ speaks over the instrumental intro of a song, finishing exactly as the vocal starts. Writing one requires knowing which song is scheduled and precisely how long its intro ramp runs. AirWaves owns the playout log and the intro cue point of every cart, so it computes the real ramp length of tomorrow’s scheduled songs and writes talk-ups sized to those seconds — timed to land right where the vocal begins. No outside prep service can produce this, because no outside service can see your log.

Nine independent sources feed the rack: configurable RSS and Google News feeds for headlines, entertainment, sports and offbeat stories; Wikipedia’s On This Day for history, birthdays and holidays; a trivia database; your own newsroom stories; your music log; your market’s live weather; your listener request queue; your scheduled announcements; and a library of written evergreen bits — phone topics, would-you-rathers, one-liners, contest ideas and more. The same story arriving from five outlets is deduplicated to a single item, and no paid API subscription is required for any of it.

AI writing is optional and guard-railed. When enabled, it writes renditions, talk-ups and artist prep in one of 13 format voices — CHR, Country, Urban, News/Talk and more — plus a free-text house style you control. Artist prep runs under an explicit rule never to invent chart positions, sales figures, award wins or personal details. And with no AI configured at all, the module still works: every category falls back to professionally written templates with rotating wordings, so the rack builds every night regardless.

A Show Sheet is a dated, hour-by-hour rundown for one show — the morning show’s 6:00 hour, item by item, in order. Autofill lays out a plausible hour in one click and the jock rearranges from there. Sheets print cleanly (the print view is self-contained, built for the jock hitting Ctrl+P at 5:40am), export as plain text, and email to the airstaff — including an automatic night-before digest of the whole day’s rack, which is the entire deliverable other prep services charge for.

The break still airs. Any sheet item can be handed to the AI DJ with one click: it is voiced in the on-duty persona’s voice and placed in that hour, so the prep the jock would have read goes to air anyway. The AI DJ can also pull approved prep for its own breaks — under a human veto you control per item, per category or per day, so nothing airs that a person did not allow.

No. The rack, the renditions, the sheets, the print view, the email digest and the public JSON feed work as standalone deliverables whatever automation runs your air chain. Two capabilities are exclusive to running AirWaves playout, because they require the log itself: talk-ups fitted to the real ramps of scheduled songs, and breaks voiced automatically by the AI DJ.

See AirWaves Show Prep running your station

Book a walkthrough with an engineer who has actually run a radio station, or call 1-877-224-1656. No bots, no phone tree.